Found 9 relevant results in 0.80s where lecturer="Berthold Hub"

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Cultural History of Modern Architecture I

Kulturgeschichte der modernen Architektur I

051-0331-00L 2004W , 2005W , 2006W , 2007W , 2008W 4 Credits BSC , DS , NDS D-GESS , D-ARCH

This two-semester course offers an introduction to the basic elements of the history of European architecture through its development since the late 19th century. It focuses on the examination of various key trends by studying specific chapters and primary texts, both within their local context and the framework of the history of humanities, as part of a complex and continuous development.

2004W
2005W
2006W
2007W

Basic Concepts in Architectural Theory 18th to 20th Centuries: From Atmosphere to Sign

Grundbegriffe der Architekturtheorie 18. bis 20. Jahrhundert: Von Atmosphäre bis Zeichen

052-0832-21L 2021S 2 Credits BSC D-ARCH

The seminar is devoted to central concepts and exemplary texts from the history of architectural theory of the 18th, 19th and 20th centuries, the reading and analysis of which is introduced by a short student presentation and concluded by a synthetic written commentary.

History of Architecture and Art V

Architektur- und Kunstgeschichte V

051-0315-02L 2004W , 2005W , 2006W , 2007W 2 Credits DS , NDS D-GESS , D-ARCH

The term "baroque" as described within the context of the history of art towards the late 19th century is strongly characterised by a formal approach. In this course exemplary objects will be studied to reposition the architectural form into its inherent broader cultural context, thus establishing a more comprehensive understanding of the term baroque.

2004W
2005W
2006W

History of Architecture and Art VI

Architektur- und Kunstgeschichte VI

051-0316-01L 2004S , 2005S , 2006S , 2007S , 2008S 2 Credits DS D-GESS , D-ARCH

The lecture examines the art and architecture of Roman Baroque. Based on selected objects the political, religious and social conditions of the production of art in early modern Rome are presented, thus illustrating, beyond the distinction between architecture, sculpture and painting, the function and development of baroque art between the artists’ ‚ingenio’ and religious propaganda.

2004S
2005S
2006S
2007S

Michelangelo and Mannerism

Michelangelo und Manierismus

052-0832-22L 2022S 2 Credits BSC D-ARCH

The seminar is dedicated to the buildings of Michelangelo Buonarroti (1475-1564) in Florence and Rome. Their analysis in their personal and historical context will be introduced in each case by a short student presentation and concluded by an academic term paper.

Special Topics: History and Modernity

Spezialthemen: Geschichte und Moderne

052-0832-25L 2025S 2 Credits BSC D-ARCH

Classical modernism has often presented itself as devoid of history. This course, through the study of exemplary cases, explores the continuities with Antiquity, the Middle Ages, the Renaissance, revolutionary architecture, or the work of Karl Friedrich Schinkel. In also examines the relevance of historical models for the present and one's own design practice.

Special Topics: Learning from Palladio

Spezialthemen: Lernen von Palladio

052-0832-23L 2023S 2 Credits BSC D-ARCH

The course offers an introduction to the built and architectural theoretical work of Andrea Palladio and asks whether we can still learn something from him for contemporary formal as well as methodological issues.

Special Topics: Proportions in Architecture

Spezialthemen: Proportionen in der Architektur

052-0832-24L 2024S 2 Credits BSC D-ARCH

The course provides an overview of historical proportion doctrines and practices and their evolution, from the Greek temple and Vitruvius to Le Corbusier or Peter Märkli, and asks whether and how the issues and responses examined can still be relevant today.

Special Topics: The Column as Bearer of Meaning

Spezialthemen: Die Säule als Bedeutungsträger

052-0832-26L 2026S 2 Credits BSC D-ARCH

The definition of the orders from the 15th century onwards took place as much in the design of buildings as in graphic media. The course traces the iconography of the column from the Renaissance to the present day and examines the various references that made the column the most important vehicle of meaning and expression in architecture.