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851-0360-00L 3 Credits DS , MSC D-GESS
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The Noise of Culture: Literature, Babel, and the Meaning of Meaning

Lecturers & Examiners: Dr. Philip Gerard
VVZ CR n/a

Last Updated: 2026-02-05 16:02:08

Abstract

When is noise—din in the pub, static on the line, attenuation of the signal—a problem for communication? When is noise art? We’ll ask James Joyce.

Objective

To gain familiarity with noise as a technical, systems-theoretical, and philosophical concept. To draw connections between noise as a mythical problem (Babel) and noise as a telecommunications problem. To apply recent conceptualizations of noise to the interpretation of several works of modern literature. To use noise to reexamine several central premises of traditional literary criticism, including meaning, intention, and representation.

Content

In this course we will explore how noise functions both as a threat to meaning and as a source of new order, with special attention to literary texts. We will begin with the myth of Babel and look at several subsequent attempts to redress the noisy confusion. As we will learn, noise is a necessarily “parasitical” term; we will follow its modern uses across a range of 20th century texts drawn from the fields of semiotics (Ogden, Eco), cybernetics (Wiener, Bateson), and philosophy (Serres, Derrida). Literary texts by James Joyce, Ezra Pound, and John Cage.

General Information

Language
English
Levels
DS , MSC

Examination

Type
graded semester performance

Course Components

Type Title Time & Place Hours
lecture The Noise of Culture: Literature, Babel, and the Meaning of Meaning
  • Tue 12:15-14:00 (HG F 26.5)
2 h weekly

Offered In