Architectural Design V-IX: Studio Seebach - Sensing Space (F.Persyn)

Abstract

The ONA building was not built to foster human life and interaction. As a welding factory, it was meant for machines. Situated on the border between Oerlikon and Seebach, it was part of an industrial zone where a.o. weapons were produced. In recent decades the area was transformed into a primarily residential neighbourhood, and the ONA building was converted into a mixed-use office building.

Objective

Understanding and exploring your body and the senses to design and facilitate dialogues. Developing your ability to improvise and adjust to a dynamic environment. Collaborating with a multitude of actors from different (professional) backgrounds. Identifying physical and intangible borders and boundaries that define space. Communicating complex ideas through a performative approach to architecture. Being a host and creating a welcoming environment for a wide variety of people. Documenting a non-linear creative process through a mix of media. Getting immersed in the world around you. Grading criteria: Clarity and Independence of Position Relevance regarding the case Depth of engagement Representation Design in Dialogue Mutual Collaboration Personal Development

Content

After a long period of forced social distancing and self-isolation, we will be seeing each other soon for the start of the semester. Finally freed from endless Zoom sessions, we can reconnect to the people and places around us. Our HS2021 design studio centres around this reconnection and rediscovery of the physical world and the power of proximity and embodied knowledge. Starting from ONA, the building where we are developing the Design in Dialogue Lab, we will use our brains, bodies and all of our senses and creativity to explore the building's potential as a safe and social space where we can be and work together. Like many other buildings in cities across the world, ONA was not built to foster human life and interaction. As a welding factory, it was meant for machines. Situated on the border between Oerlikon and Seebach, it was part of an industrial zone where a.o. weapons were produced. In recent decades the area was transformed into a primarily residential neighbourhood, and the ONA building was converted into a mixed-use office building with ETH being one of the main tenants. While approaching or entering the ONA building, you are confronted with a series of both physical and intangible obstacles and borders. Despite efforts to make it more accessible, the building's introverted nature continues to echo in its appearance. The grey concrete walls communicate the story of a space constructed to keep noise inside and people outside. Surrounded by railway tracks and other infrastructure, the main entrance is hidden behind a busy loading bay where trucks pull up during the day to load or unload goods. Once inside, the vast open ground floor is subdivided by walls in an attempt to create a sense of intimacy. By joining Studio Seebach - Sensing Space, you will become part of a collective effort to identify, reimagine, and potentially remove or redesign some of these barriers. As users and hosts of the space, we will revisit ONA and explore it as - what we like to call - an 'Open Public Structure' that is welcoming to a wide variety of users, from students to local residents. Simultaneously we will also question whether ONA should become a seamless environment or keep certain ‘meaningful thresholds’ that help preserve existing values. Instead of taking an intellectual approach based on a rational analysis of the spatial conditions, we instead will introduce a more intuitive approach that makes use of our senses and explores our body's ability to experience the (open) borders and (closed) boundaries that define ONA. We will be joined by practitioners from such diverse disciplines as dance, performing arts, anthropology, philosophy and club culture who will help us to Swarm, Sense and Settle. French philosopher Maurice Merleau-Ponty once wrote that: "Rather than a mind and a body, a (wo)man is (...) a being who can only get to the truth of things because its body is, as it were, embedded in those things." According to him, we are all "caught in the fabric of the world". His words resonate with the assignment formulated by the late American composer and philosopher Pauline Oliveros (“listen to everything until it all belongs together and you are part of it”). The studio takes inspiration from these and other thinkers and practitioners and turns their ideas into actions that allow you to test and train your senses and get immersed in the world around you.

Resources